Logos de América Exhibition
Visual Identity: Luis Muñoz Jean Baptiste
Exhibition Design: Jeanette Muñoz Abela & Luis Muñoz Jean Baptiste
Photography / Video: Blur Studios
Speakers: Luis Muñoz, Joseph Scerri & Gilberto Malagón Díaz
Workshop: Luis Muñoz & Jeanette Muñoz
Participating countries: Logos de Argentina, Logos de México, Logos de El Salvador, Logos de Panamá & Logos de Paraguay
Year: 2023
First Logos de América Exibition.
A graphic mark is a visual symbol that represents a company or organization. It is a simple, distinctive design that can be easily recognized and associated with the entity it represents. Graphic marks can take many forms, such as a stylized letter or word, an abstract shape, or a simplified image.
Logos de América is a collective of 10 countries including Chile, El Salvador, Mexico, Argentina, Colombia, Brazil, Peru, El Salvador, Panama, Uruguay, and Paraguay.
The purpose of Logos de América is to share, as a continent, the history behind each graphic mark, the people who were responsible for their design, their importance within the industry, and their graphic culture while rescuing the graphic heritage of each country.
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This is not just simply a ‘museum’, and the site itself is also particularly interesting. It may be recognised as the former Ninu Cremona boy’s lyceum, but the building was originally designed by Joseph Huntingford in the 1950s. Its undulating concrete canopy on the façade together with the proportions of the elevations makes it a quintessential example of Maltese Modernism.
The project will be one of Gozo’s prime attractions for both locals and visitors. This center will be a mixture of new and restored structures, challenging our structural engineering team into looking into each detail with clinical care.
More information +
This is not just simply a ‘museum’, and the site itself is also particularly interesting. It may be recognised as the former Ninu Cremona boy’s lyceum, but the building was originally designed by Joseph Huntingford in the 1950s. Its undulating concrete canopy on the façade together with the proportions of the elevations makes it a quintessential example of Maltese Modernism.
The project will be one of Gozo’s prime attractions for both locals and visitors. This center will be a mixture of new and restored structures, challenging our structural engineering team into looking into each detail with clinical care.
More information +
This is not just simply a ‘museum’, and the site itself is also particularly interesting. It may be recognised as the former Ninu Cremona boy’s lyceum, but the building was originally designed by Joseph Huntingford in the 1950s. Its undulating concrete canopy on the façade together with the proportions of the elevations makes it a quintessential example of Maltese Modernism.
The project will be one of Gozo’s prime attractions for both locals and visitors. This center will be a mixture of new and restored structures, challenging our structural engineering team into looking into each detail with clinical care.
More information +
This is not just simply a ‘museum’, and the site itself is also particularly interesting. It may be recognised as the former Ninu Cremona boy’s lyceum, but the building was originally designed by Joseph Huntingford in the 1950s. Its undulating concrete canopy on the façade together with the proportions of the elevations makes it a quintessential example of Maltese Modernism.
The project will be one of Gozo’s prime attractions for both locals and visitors. This center will be a mixture of new and restored structures, challenging our structural engineering team into looking into each detail with clinical care.
More information +
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