The courtyard, within which the private dining area was located, was roofed over with a glass roof in order to exploit the limited amount of natural light entering the project space. The client requested to maximise the capacity of patrons. This meant that a combination of banquette seating and individual tables were allocated within the various spaces while creating a different ambience and originality of design in each area.

The use of geometric patterns, inspired by the era, were used throughout the interior and branding design. The diamond shape was used to link the design in different rooms. The culmination of use of geometry was by fitting a folded-roof soffit in the main dining room which also served the purpose to house all services and acoustic/soundproofing materials.

The premises was design acoustically to benefit both the performers on stage as well as patrons but also fitted with sound insulation to enable late performance and reduce nuisance to third-party properties. This was done by carefully positioning sound absorbent and diffusion materials within the walls and ceiling of the area immediately adjacent to the stage.

The courtyard, within which the private dining area was located, was roofed over with a glass roof in order to exploit the limited amount of natural light entering the project space. The client requested to maximise the capacity of patrons. This meant that a combination of banquette seating and individual tables were allocated within the various spaces while creating a different ambience and originality of design in each area.

The use of geometric patterns, inspired by the era, were used throughout the interior and branding design. The diamond shape was used to link the design in different rooms. The culmination of use of geometry was by fitting a folded-roof soffit in the main dining room which also served the purpose to house all services and acoustic/soundproofing materials.

The premises was design acoustically to benefit both the performers on stage as well as patrons but also fitted with sound insulation to enable late performance and reduce nuisance to third-party properties. This was done by carefully positioning sound absorbent and diffusion materials within the walls and ceiling of the area immediately adjacent to the stage.

The courtyard, within which the private dining area was located, was roofed over with a glass roof in order to exploit the limited amount of natural light entering the project space. The client requested to maximise the capacity of patrons. This meant that a combination of banquette seating and individual tables were allocated within the various spaces while creating a different ambience and originality of design in each area.

The use of geometric patterns, inspired by the era, were used throughout the interior and branding design. The diamond shape was used to link the design in different rooms. The culmination of use of geometry was by fitting a folded-roof soffit in the main dining room which also served the purpose to house all services and acoustic/soundproofing materials.

The premises was design acoustically to benefit both the performers on stage as well as patrons but also fitted with sound insulation to enable late performance and reduce nuisance to third-party properties. This was done by carefully positioning sound absorbent and diffusion materials within the walls and ceiling of the area immediately adjacent to the stage.

The courtyard, within which the private dining area was located, was roofed over with a glass roof in order to exploit the limited amount of natural light entering the project space. The client requested to maximise the capacity of patrons. This meant that a combination of banquette seating and individual tables were allocated within the various spaces while creating a different ambience and originality of design in each area.

The use of geometric patterns, inspired by the era, were used throughout the interior and branding design. The diamond shape was used to link the design in different rooms. The culmination of use of geometry was by fitting a folded-roof soffit in the main dining room which also served the purpose to house all services and acoustic/soundproofing materials.

The premises was design acoustically to benefit both the performers on stage as well as patrons but also fitted with sound insulation to enable late performance and reduce nuisance to third-party properties. This was done by carefully positioning sound absorbent and diffusion materials within the walls and ceiling of the area immediately adjacent to the stage.

The courtyard, within which the private dining area was located, was roofed over with a glass roof in order to exploit the limited amount of natural light entering the project space. The client requested to maximise the capacity of patrons. This meant that a combination of banquette seating and individual tables were allocated within the various spaces while creating a different ambience and originality of design in each area.

The use of geometric patterns, inspired by the era, were used throughout the interior and branding design. The diamond shape was used to link the design in different rooms. The culmination of use of geometry was by fitting a folded-roof soffit in the main dining room which also served the purpose to house all services and acoustic/soundproofing materials.

The premises was design acoustically to benefit both the performers on stage as well as patrons but also fitted with sound insulation to enable late performance and reduce nuisance to third-party properties. This was done by carefully positioning sound absorbent and diffusion materials within the walls and ceiling of the area immediately adjacent to the stage.